The Pervasive and the Digital: Immersive Worlds in Blast Theory's 'A Machine to See With' and Dennis Del Favero's 'Scenario'
نویسنده
چکیده
Thispaperdiscussestwoimmersivestoryworldsbetweentwodistinctinteractiveartworks.Blast Theory’sAMachinetoSeeWith(2010)isapervasivefictionalexperiencethatenablesusers,through thetechnologyoftheirmobilephone,tobecomeimmersedwithinafictionalcrimescenarioacrossa realgeographicalsetting.DennisDelFavero’sartproject,Scenario(2011),bycontrast,isaninteractive andimmersivestorythattakesplaceina360-degreedigitalcinematicspacecalledanAVIE(Advanced VisualizationandInteractionEnvironment).Thisimmersiveworldisamixedrealityenvironment,a meetingplacewherefiverealusersandtendigitalscreencharactersconvergeandinteractthrough thetechnologyofmotionsensing.Participantsarevirtuallywiredintotheimmersiveworldthrough theperformanceoftheirmovement.Thispaperwillexplorebothoftheseartworksthroughoriginal interviewstheauthorhasconductedwitheachoftheartists. KEyWoRDS Blast Theory, Dennis Del Favero, Immersion, Immersive Storytelling, Interactive Art Narrative, Pervasive and Digital Technology, Worlds
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ورودعنوان ژورنال:
- IJEP
دوره 8 شماره
صفحات -
تاریخ انتشار 2017